I stood no chance with this lens. Fought it as I did this purchase was inevitable. Why? Continue reading “Light and bright: 7artisans 50mm f/1.1”
I love a good deal.
3 of 3 C/Y mount posts.
Recently picked up one heck of a deal in a camera. Seems appropriate to find deals when it comes to lenses for it. I typically get three primes when I purchase a film system. A normal. A portrait. A wide. This is the normal. The Contax Carl Zeiss Planar 50mm f/1.7.
Why did I buy it?
It was held at the Durham Fruit (contact information on website), a great art space formed by and for creatives. Continue reading “Durham Fruit/Coffee and Cameras”
One of the lenses that Sony has released in the last year that interested me was this lens. (The other being the instant favorite 85mm f/1.8.) Why? It is 50mm. And I am a sucker for a 50mm sub f/2.0 prime lens.
And now Sony was offering one at an unusually affordable price… for Sony. $249. Not quite the bargain that the $599 85mm f/1.8 is, but I beat that price by finding one used for $156. Even better. So I heard a few murmurs about this lens online so let’s address those first.
There is little greater joy for me than to:
- Save money. Love a good deal.
- Breathe new life in to old gear.
Not the first time I found an affordable macro option. See my frankenmacro blog entry for Sony full frame. I really like macro lenses, but at times they are difficult lenses to justify. Due to their sharpness they do tend to make great lenses for other uses, even portraiture, but owing to their long focus reach they can be a challenge to use with autofocus. Focus limiters do help, but quick focus at normal ranges is not usually their thing and macro shooting still usually favors manual focus.
Fujifilm does not yet have a true factory macro yet since the 60mm does not focus down to 1:1 (cough, not a macro), may not be expensive but is definitely not cheap considering it’s rare distinction of being a relatively unloved Fujifilm lens going on reviews. The Zeiss Touit 50mm native mount option is a well reviewed lens with actual 1:1 macro capabilities, but costs just under a grand and I have a host of excellent lenses around that focal length already. Plus as is usual most recommend using manual focus when shooting macro… So why not get a manual focus lens? Having recently acquired a fantastic Zhongyi adapter that allows native full frame viewing angles with M42 vintge lenses while also adding near a stop of light I zagged to the Takumar 50mm f/4.0 Macro lens. Already familiar with what Takumar lenses can do this was an easy decision. Reminding me of one of my favorite previous macro lenses from Pentax it has a snoot (highly technical I know) that juts out making it’s macro intentions clear.
Sample photos added to the gallery at the bottom.
Soon there will be an Olympus OM-10 This Old Camera Post. A few things.
How? Felt led to visit SE Camera as I wanted another 35mm camera.
Why? Always in the market for another film camera, especially pedestrian 35mm ones as they are often in excellent condition and quite affordable.
I love a good deal. Even more I love a good deal that keeps it’s promises and performs better than I could have ever expected for the price paid.
<In the voice of Morpheus> What if I told you that there was an adapter that would make a vintage 35mm lens perform in all of it’s full frame glory while adding nearly a stop of light on your humble APS-C sensor camera?
Wait. Don’t click away. I’m serious. I have pictures.
How am I confident in making such claims? Glad you asked. I have used an M42 to K mount adapter on film 35mm Pentax cameras as well as the full frame Pentax K-1.
Lenses in question as previously shot on the full frame Pentax K-1:
- Helio 44-2 58mm f/2
- Takumar 50mm f/1.4