If photography needs to make sense you are probably not doing it right.
I started uttering this half-jokingly some time ago in response to being drawn to a piece of gear or a photo idea that steps outside the realm of the reasoned. Usually having to do with film somehow. (Brace yourself. This is a long one.)
No difference here. The usual starting place…
So there I was surfing the interwebs researching some random notion that washed over my psyche with no warning and I realized that there existed an Alpha 7 before the Alpha 7. More specifically the Minolta Alpha 7. And it was gorgeous. Was a good camera also I heard.
Never knew this camera existed, but now that I did I must have one.
Continue reading Maxxum 7 and Maxxum 7D: Analog and Digital Vintage Wonderfulness Twins
I wanted the Olympus PEN-F since the moment it came out. Why?
Combine the two bullets above, along with my appreciation for the film Olympus OM10 (on the left below),
Continue reading Olympus PEN-F… No, not that one. The new, digital one.
…and time, and the camera used, etc. Had this lens before, but kvetched about the focal length a bit before moving on to the Olympus 25mm. Did not appreciate it as I should have. Did not expect to buy it again. What happened? Glad you asked. Simple. I used it with a new perspective. Recently it was the lens I used to test drive a second hand PEN-F that Southeastern Camera had in store. I do not know what I was thinking before, but I now love this lens. Why? Here is a list.
- Let’s get the non-technical bits out of the way first. All metal premium construction. Has nothing to do with the optics, but it matters. Feels like my favorite old film lenses and looks the business on the PEN-F. Even stacks up well aesthetically next to one of my all-time film favorites that also happens to be an Olympus.
Continue reading Olympus M.Zuiko 17mm f/1.8: What a difference experience makes…
In short the Pentax AF500FTZ flash TTL test on Pentax 645N film camera passed with flying colors. A well spent $50.
I have dabbled with a few medium format film cameras in recent years. Wonderful devices, but practical is not a word that jumps to mind. They kind of make no sense admittedly. If you want to use film 35mm cameras should do the job. Plenty of sharp lenses on 35mm. Plenty of great 35mm cameras. Nikon F-something, Leica M-anything, Contax G or T then number and on and on. But if you are looking for those things many like in pictures without even knowing why, like DOF, focus fall off and detail, it is hard to beat medium format film. Why not digital medium format? Go check out the prices of even years old, used medium format digital cameras at the big sites and come back. Start out with the son of Pentax 645N, the 645D, not even the more recent 645Z. I’ll wait…
You back? I know, right? Ok. As I was saying medium format film cameras.
Continue reading This Old Camera: Pentax 645N. A Practical Impractical Camera
So why a TLR? They look cool.
Started with my wanting to get my mitts on a Rolleiflex TLR. At first an f/2.8… Wait, how much? Ok, an f/3.5 then. That settles it. Wait, a Yashica f/3.5 for what now? So why an LM with an old tech selenium meter
instead of the 124G (great review here) and it’s battery powered meter? Continue reading This Old Camera: The Yashica Mat LM
This one is overdue. While I have written about the wonderfully oddball, intricate, and beautiful tele adapter that goes on the front of it I have yet to write about this beautiful camera itself. As always plenty of information can be found online with a quick Google search (here is a great one). I honestly never knew this camera existed until I perused KEH.com one day and it showed up. A few factors played a part in a quick and easy decision to purchase it. Continue reading This Old Camera: The Beautiful Zeiss Ikon Contaflex II