My first post about the Contax 137 MA Quartz was a leap of faith.
Faith in the Contax name. This is my fourth (35mm) Contax and each has been rock solid.
Faith in KEH.com bargain grade. Have purchased many an item bargain grade from KEH and each has been rock solid.
My second post was about the new covering I put on it. Very happy with that.
Ah. Lenses. Purchased the excellent normal Contax Carl Zeiss Planar 50mm <inhales> f/1.7 with the camera.
Continue reading Contax 137 MA Quartz Part 3: Photo Update
If photography needs to make sense you are probably not doing it right.
I started uttering this half-jokingly some time ago in response to being drawn to a piece of gear or a photo idea that steps outside the realm of the reasoned. Usually having to do with film somehow. (Brace yourself. This is a long one.)
No difference here. The usual starting place…
So there I was surfing the interwebs researching some random notion that washed over my psyche with no warning and I realized that there existed an Alpha 7 before the Alpha 7. More specifically the Minolta Alpha 7. And it was gorgeous. Was a good camera also I heard.
Never knew this camera existed, but now that I did I must have one.
Continue reading Maxxum 7 and Maxxum 7D: Analog and Digital Vintage Wonderfulness Twins
I have dabbled with a few medium format film cameras in recent years. Wonderful devices, but practical is not a word that jumps to mind. They kind of make no sense admittedly. If you want to use film 35mm cameras should do the job. Plenty of sharp lenses on 35mm. Plenty of great 35mm cameras. Nikon F-something, Leica M-anything, Contax G or T then number and on and on. But if you are looking for those things many like in pictures without even knowing why, like DOF, focus fall off and detail, it is hard to beat medium format film. Why not digital medium format? Go check out the prices of even years old, used medium format digital cameras at the big sites and come back. Start out with the son of Pentax 645N, the 645D, not even the more recent 645Z. I’ll wait…
You back? I know, right? Ok. As I was saying medium format film cameras.
Continue reading This Old Camera: Pentax 645N. A Practical Impractical Camera
So why a TLR? They look cool.
Started with my wanting to get my mitts on a Rolleiflex TLR. At first an f/2.8… Wait, how much? Ok, an f/3.5 then. That settles it. Wait, a Yashica f/3.5 for what now? So why an LM with an old tech selenium meter
instead of the 124G (great review here) and it’s battery powered meter? Continue reading This Old Camera: The Yashica Mat LM
This one is overdue. While I have written about the wonderfully oddball, intricate, and beautiful tele adapter that goes on the front of it I have yet to write about this beautiful camera itself. As always plenty of information can be found online with a quick Google search (here is a great one). I honestly never knew this camera existed until I perused KEH.com one day and it showed up. A few factors played a part in a quick and easy decision to purchase it. Continue reading This Old Camera: The Beautiful Zeiss Ikon Contaflex II
Being smitten with the Contax G Boys I wanted more, but less. More of that Contax/Zeiss goodness, but in a smaller package. Decided on the T range. Ruled out the Contax T since it was MF only and the flash was not built in (Personal preference. Don’t come at me T fans.). Went for the Contax T2. Why not the Contax T3? Because I did not see a great gain for the extra cost and I was not as enamored with the aesthetics as the T2 (Again. Personal preference. Don’t come at me T3 fans.). Plus neither has a slidey door thing that I have already lost minutes potentially wearing out. Continue reading This Old Camera/Scanner Files: The mighty little Contax T2
This post is all out of order, but I am impressed by a peculiar piece of hardware I picked up recently. More specifically a peculiar piece of camera hardware for a peculiar camera. The camera in question? The (deep breath) Zeiss Ikon Contaflex II.
A camera that I had no idea ever existed not that long ago. Continue reading This Old Camera: Zeiss Ikon Teleskop 1.7x Adapter
First test roll through a recently acquired $15 Zenit E that I unwittingly tried to destroy by attaching a Takumar M42 screw mount to it (Do not ever do this as it quickly jammed itself on the body. There is a pin on the lens that will jam in one of the screw-heads on the face of the Zenit’s mount.) followed by a camera store fix visit with no change followed by my own brief berserker episode w/ a .009 feeler gauge that managed to save camera and lens.
Now matched w/ the intended era correct favorite lens of mine, the Helios 44 2. Continue reading Scanner files: First Roll Through the Russian Tank Zenit E w/ Kodak Gold 200
Wrote more about the Contax G System as a contributing writer at KEH Camera’s blog, but this is an early post with the Contax G1. I predict that there will be much more written about the Contax G1. Why? On a high-level it is so good that…
- I am already on film roll 4 in a weeks time.
- I have not used any digital gear since I received it.
- It prompted me to do something I had no intention of doing. Getting a G2.
Continue reading Scanner files: Contax G1.. and G2 too.
So I walk into Southeastern Camera…
(The beginning to many a story.)
…and ask, “What do you have in new that is film, auto exposure, with a built in lens and costs around $50.” To which Dennis replies, “I have your next camera right here, Eric.”
This would freak me out, but similar exchanges have become quite common there.
And it was marked at $50 exactly. After a quick flickr sample shot search I was sold. This is not my first film Konica purchased here. Darth Vader’s disco ball helmet (aka AiBORG) preceded it.
But other than being film, AF, otherworldly consistent in image output, and having Konica written on them these two cameras could not be more different. Where the AiBORG is a mash up of 80s form and function oddity born in the early 90s and full blown automation the C35 AF2 (and AF before it) is 70s function and design minimalism birthed in 1980. Where some aspects of the AiBORG beg the question why, everything about the C35 just makes sense. I do enjoy the AiBORGs quirkiness, but I would choose the C35 any day. The only worthwhile advantage the AiBORG offers over the C35 is zoom and that is not worth it. I still enjoy owning (moreso than shooting) the AiBORG, but it has one glaring fault. Its viewfinder is like looking through a hole punched through a potato with a pencil. The one on the C35 is a joy by comparison with it’s big and bright vantage point. It even has a parallax adjusted view box for close framing. In use it feels much like my beloved rangefinders.Which it seems to actually be… but with AF. On to minuses, pluses, and sample galleries and link to more images. Continue reading This Old Camera: Konica C35 AF2