If you want a Leica and you have the disposable income required to inhabit Leica town my advice is to get a Leica.
If you want a Leica and, have red dot fever, will settle for no less, but do not have the disposable income required currently do not buy anything else because you will eventually sell it, potentially at a loss, in order to finance a Leica. If you do not mind the maligned aesthetics of the internally metered M5 that is an option. An older body like an M3 may do the trick for you. Not bad with a Leicameter atop. Pricey for the vintage, but waaay less than an M6.
If you have tried or purchased a Leica and would be willing to settle for a Leica like M mount experience for less outlay there are options. Zeiss, Leitz/Minolta collab, so on and so forth.
Continue reading This Old Camera: Voigtlander Bessa R2
Started out innocently enough looking through posts on a Film GAS Facebook page (Disclaimer: Click at your own risk. I am in no way responsible for any purchases made as a result.) Came across a post on the Petri 7S. Thrown by the brand name at first and moved on. Next day I searched Flickr for some samples that impressed me. Once I realized how cheap these cameras are I picked one up from KEH.com for $23. Here are my thoughts, cons first. Continue reading This old camera: Petri 7S. From “Ha!, like the dish?” to “Why have I never heard of this camera before?” in one day.
Surprised I never wrote about just this camera by itself. (Tongue and cheek comparison written for KEH here.) About this lens. Case is pretty spiffy also.
What is it? Continue reading This old camera: FED 2
While “native” native lenses are preferable most of the time I have had very good luck with AF adapted film lenses. In addition to the Techart TA-GA3 I wrote about for KEH I have also enjoyed using the Sony LA-EA4 A mount adapter. One lens I first had a hard time parting with the money for was the Minolta Maxxum 20mm f/2.8. But then I realized that it was good enough that Sony basically rebranded it as is today new. Then I looked at other similarly spec’d lenses for Sony and other brands… And then I went back and bought it hastily from yon local camera shoppe.
Continue reading Minolta Maxxum/Sony A Mount 20mm f/2.8
A valid response to this blog title is “What?” Allow me to explain. Or try to anyway.
These are interesting times. A lot of virtual ink is spilled debating between mirrorless or DSLR. Most points made miss the point for me really. Sure, I chose mirrorless. But my choice has nothing to do with a dislike for DSLRs. I love DSLRs. But I love film cameras more.
But, but… Battery life… OVF over EVF… Native lens selection… AF speed… Dual card slots… So on and so forth. Meh. Gladly put up with all of this. (And most of these concerns are being eliminated by the most recent wave of mirrorless cameras. An A7iii will be in my future and it may go down as the industry tipping point.) But once again film tech is what changed my mind.
Why? Continue reading Love DSLRs. But I chose mirrorless because I love film gear more.
If photography needs to make sense you are probably not doing it right.
I started uttering this half-jokingly some time ago in response to being drawn to a piece of gear or a photo idea that steps outside the realm of the reasoned. Usually having to do with film somehow. (Brace yourself. This is a long one.)
No difference here. The usual starting place…
So there I was surfing the interwebs researching some random notion that washed over my psyche with no warning and I realized that there existed an Alpha 7 before the Alpha 7. More specifically the Minolta Alpha 7. And it was gorgeous. Was a good camera also I heard.
Never knew this camera existed, but now that I did I must have one.
Continue reading Maxxum 7 and Maxxum 7D: Analog and Digital Vintage Wonderfulness Twins